
Once Miss Emily’s father died, the town found it a reason to have pity on her. She was described as “a vague resemblance to those angles in colored church windows –sort of tragic and serene” (208). Like her house, Emily was slowing growing older as her hair turned greyer and greyer. After time, there was hardly any commotion of people, including Emily, in and out of her house. “When the town got free postal delivery, Miss Emily alone refused to let them fasten the metal numbers above her door and attach a mailbox to it” (211) this shows that Emily prefers to live in the past, perhaps because she feels that not only will she need any communication with anyone inside the town or anywhere else for that matter. She chooses to keep her house private as well as her personal life. Once her father died, Miss Emily didn’t bother to answer the phone or show hospitality to any visitors; therefore she felt no need for postal delivery which would allow more people to bother her.
Eventually, Miss Emily was never seen outside of her house for years. She sent her black servant, Tobe, to the market for fresh foods. Emily’s house developed an awful smell, which the townspeople complained about and eventually the Board of Aldermen were sent to her house to investigate the stench. This shows how Miss Emily doesn’t bother to keep up with her own house, and shows no effort to control the situation, just as she doesn’t have any effort on keeping herself proper. The “big, squarish frame house that had once been a white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies” (206) was an example of Emily’s resistance to accept the change of the upcoming society, filled with postal service and cotton gins. Her house was a visible illustration that she is unable to accept the change. Perhaps it is because Emily finds no hope for the future and she has no will to be connected with the outside world so she remains in the past, living in the sole part of town that holds the past rather than accelerates to the future.
Eventually, Miss Emily was never seen outside of her house for years. She sent her black servant, Tobe, to the market for fresh foods. Emily’s house developed an awful smell, which the townspeople complained about and eventually the Board of Aldermen were sent to her house to investigate the stench. This shows how Miss Emily doesn’t bother to keep up with her own house, and shows no effort to control the situation, just as she doesn’t have any effort on keeping herself proper. The “big, squarish frame house that had once been a white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies” (206) was an example of Emily’s resistance to accept the change of the upcoming society, filled with postal service and cotton gins. Her house was a visible illustration that she is unable to accept the change. Perhaps it is because Emily finds no hope for the future and she has no will to be connected with the outside world so she remains in the past, living in the sole part of town that holds the past rather than accelerates to the future.